He Shot Cyrus is giving back to our readers. We're doing so with the monthly Thanks For Writing contest.
Synopsis: The more comments you leave at He Shot Cyrus, the better chance you have of winning the monthly mystery prize.
Rules:
1. Every (substantial) comment someone leaves on a He Shot Cyrus post will earn an entry into the monthly drawing.
2. On the last day of every month a random drawing will occur. The first person who has their name drawn will win.
3. After the monthly winner is announced, that person has one week (7 days) to e-mail their name and mailing address to heshotcyrus@hotmail.com.
4. If the winner fails to send their name/address within a week, a new name will be drawn and that new winner will have one week to send in their information.
5. At the end of the year, ALL of the names will be thrown back into a hat and three GRAND PRIZE WINNERS will be selected. These prizes will be significantly bigger and better than the monthly prizes.
This was not my pick. Whitney over at Dear Jesus thought that the most romantic way to spend this evening would be to watch a couple of rape revenge movies and clog the toilet for six hours.
As a part of our Top 5 Movies We Don'tWant to Watch Marathon Whitney and I each chose five movies that we've said (on more than one occasion) that we would never watch. We each picked a rape revenge movie from the '70s, mine was The Last House on the Left and she picked the one we watched tonight.
Whitney picked a gem with this one. I Spit on Your Grave. This film spit in my face. Roger Ebert called it a "vile bag of garbage." I called it a "vile bag of garbage." He said it first.
Jokes aside, this movie is disgusting. A woman is viciously attacked by psychopaths (who come off more like a bunch of bored yokels than actual crazy people) because she's sexual. Her greatest crime, according to the group's ringleader, was lying around at the lake in a swimsuit and answering her door without wearing a bra. It's a crime when Jean Stapleton does it, not when Buster Keaton's grandniece does it.
In forty-five of the most disturbing minutes I've ever sat through, Jennifer is attacked and held down by four men. One of the men rapes her and taunts the others to join in. Following the attack, the film doesn't fade to black like you might expect it to. The bruised, battered, and bloody woman struggles to her feet and walks through the woods.
We follow her as she trips and stumbles around until she eventually finds a man playing the harmonica. Our stomachs churn as the potential rescuer turns out to be one of her assailants. They rape her again. She fights to crawl back to her house. They're waiting for her in the house! They rape her again. Not knowing anything about this movie, I never expected to see anything like this. Jennifer, lying naked, blood-soaked, and unconscious, is left for dead.
Rape scenes are always tough to watch, but until tonight, the worst I had seen landed in the R-rated Death Wish realm. Death Wish was like that sneezing panda video compared to I Spit on Scott's Face. I knew very little about this movie before watching it. I knew it was a rape revenge movie and that it was supposed to be pretty rough. Well, I was correct on both counts. This movie features a woman being raped three times in less than an hour. What?
The second half of the movie follows Jennifer as she gets her revenge on her attackers. Some people have argued that the film is pro-women. It shows a woman getting revenge on those who wronged her and so on and so forth. I can see how a film like Ms. 45 might have that argument made for it, although I think it'd be a weak argument. I Spit on Your Grave is not pro-women, at least by any definition I subscribe to.
Los Angeles New Times critic, Luke Y. Thompson makes a compelling argument against those who claim the I Spit on Your Grave isn't as anti-women as Roger Ebert would make it seem. He states, "Defenders of the film have argued that it's actually pro-woman, due to the fact that the female lead wins in the end, which is sort of like saying that cockfights are pro-rooster because there's always one left standing." I couldn't agree more. For almost an hour, we watch Jennifer get graphically beaten and raped, to the point where you wish it would seem unbelievable but somehow that relief never comes.
Whitney and I's opinions differed when it came to Matthew, one of the attacker characters. Clearly mentally challenged, Johnny hangs out with this group of rednecks and throughout the film he is pressured to beat, rape, and kill Jennifer.
My main problem with Matthew's character is the sense of comedy he brings to the film. Now, Matthew's not funny, but his actions are specifically comedic. From the way he swigs his alcohol before he rapes Jennifer to the dance he does as he's taking off his clothes, Matthew serves as a distraction from the atrocities that are taking place. The film becomes less effective, at least from a pro-women standpoint, each time the viewer is taken out of the horror that the story hold. For every second that we are tempted to chuckle at his actions, the viewer is brought that much further from grasping the realistic terror that is being depicted.
Matthew's character is proof enough for me that the director did not have a single pro-woman thought running through his head while making this movie. Whitney and I discussed whether the problems were found on a script level or in the actor's performance and I'm lead to believe that it's most likely both. Richard Pace's performance is extremely campy while the rest of the performances are eerily not. He's just one part of this movie that didn't sit well with me but I don't want this to turn into a rant so I'm ending it here.
I Spit on Your Grave was worse than I thought it was going to be in that there were three times the amount of rapes as I would have guessed. As far as being a well-made film, it's really not as terrible as you'd think. The absence of any type of non-diegetic score really worked for instilling an overall creepiness. The look of the film is on par with a lot of other films of that time, surprisingly well shot. The sound needed work but not as much as the script. In the end, I went in striving to give this one a fair chance and that's what it received. What I received was a movie experience like none I had ever had before, good or bad, at least it's something.
The Warriors. Yes! THE WARRIORS! I was planning on waiting awhile to write about this classic but the people have spoken.The winner of this week’s poll question also happens to be my favorite film of all time and one of the main reasons I started this site.
My introduction to The Warriors came from an unlikely source: MTV Cribs.An early episode featured a rapper that I liked.Recent research as to which rapper it was has come up short. I thought it was P. Diddy but it turns out he was never on Cribs. It wasn't Ice-T, I watched the episode just to make sure. It wasn't Snoop Dogg, although he does say "the awards are nice" which sounded a whole lot like "The Warriors are nice." Nevertheless, when it came time to show off his DVD collection, the unnamed artist held up two boxes.First, the obligatory copy of Scarface. Second, a movie I had never heard of. It was to be The Warriors.
He began to sing the praises of the ultimate gang movie.My ears perked up immediately. It turns out that The Warriors has been referenced in numerous films, rap songs, and music videos.One of these just happened to be Craig Mack’s “Flava in Ya Ear (Remix)” video – a staple song of my childhood.The video opens with Puff Daddy clinking two Coke bottles together while singing “Baaaad Boyyyyyy.Come out and plaaayyy.”That image always stuck with me and it wasn’t until I watched The Warriors did I realize where it first came from.More on the Coke bottles later.
Craig Mack – Flava in Ya Ear (Remix) (feat. Notorious B.I.G.)
Apparently, The Warriors was the film that everyone needed to see.A few weeks later, I rented the DVD and soon after that, I had a new favorite movie.For those of you who haven’t seen this yet, do yourselves the favor and Netflix a copy.If possible, try to get the original cut.In 2004, Paramount released a new DVD labeled “The Ultimate Director’s Cut.”Not much about the movie changed except for the addition of some comic book frames serving as interludes between certain scenes.They really take the viewer out of the film. The original cut looks great, sounds great, and doesn’t feature these annoying comic book frames.
For those of you who haven’t ever heard of The Warriors here’s some background of the film.
The Warriors is loosely based on a novel by Sol Yurick which is loosely based on Xenophon’s The Anabasis. The film was written by David Shraber (Nighthawks) and directed by Walter Hill (Streets of Fire, 48 Hrs.) The result of their hard work was one of the most incredible action films of all-time.
The film begins:EXT. CONEY ISLAND – NIGHT.From the moment the music hits, it’s clear that you're in for a hell of a ride.Right away, we start to meet members of The Warriors as they discuss the big meeting in the Bronx. Originally, Walter Hill wanted to cast and all-black gang, but the studio told him "no." The ethnic make-up of the gang turned out mostly white with a couple black members. But even with the cast being mixed-race the most interesting thing about this is their numbers: nine delegates from the Coney Island street force.
Walter Hill is known for his use of the “collective hero” in which a number of characters are grouped together to act as one.In this case, we’re following “The Warriors,” not Swan, Ajax, Cleon, etc.Even though the group splits up at one point, they’re still all under the collective banner: “Warrior.”However, every group needs a leader, and for most of the film, this is Swan (Michael Beck).Most of the other members get plenty of screen time but as far as the story goes, Swan is elected the official “Warchief.”
One of the most memorable scenes from The Warriors comes at the very beginning.Nine member from various New York gangs are all getting on Subway trains.Here’s where the fun begins; each gang has their own unique characteristics, and believe me, they’re unique.One group appears to be mimes wearing top hats.
Another Chinese gang wears green pointy hats.A quick eye can spot a young Laurence Fishburne (The Matrix) leading a gang suited up in camouflage outfits.Right away, the campiness factor sets in.For those of you who turn away at the sight of camp, this isn't the movie for you. In fact, this isn't the blog for you.
Roger Hill as Cyrus
The film really takes off at the awe-inspiring “Cyrus scene.”All of the gangs show up at the big meeting, Cyrus' meeting. Everyone reading this needs to realize that this film was shot in 1979, way before CGI was commonplace.Take that into consideration when you see the hundreds and hundreds of extras all wearing different gang outfits.The camera moves through them and we catch glimpses of Puerto Rican gangs, skinhead gangs, and once again, the Hi-Hats donning their top hats and white mime makeup.You can watch this scene over and over again, each time you’ll find a new gang wearing some crazy gang colors.
Cyrus is the leader of the biggest gang in NYC, the Grammercy Riffs, a huge group of black bad-asses decked out in karate uniforms.The crowd falls silent once Cyrus begins to speak.The following scene can’t be done justice in text.
If the title of my blog hasn’t spoiled anything by now…well, maybe you haven’t been paying enough attention.Here’s the exciting part!Hundreds of miles from home, the Warriors only have one goal in mind.“We’re gonna have to bop our way back to Coney.”Get home safely.With every gang in the city looking for them, the guys will have to cross turf after turf, territory after territory.
I really enjoy the episodic format that Hill uses.There doesn’t seem to be a moment to rest.Each time it seems that they’re in the clear, here comes something else they’ve got to deal with.From subway fires to violent police officers, Swan, Ajax, Cowboy, Rembrandt,Cochise, The Fox, Snowball, and Vermin, are forced to do what is necessary to make it back to “C.I. - The Big Coney.”Once the group splits up, their obstacles multiply.Without any knowledge of their friends’ wellbeing, each Warrior is forced to look out for number one.I’ve always been a big fan of films that feature ensemble casts.I enjoy having lots of stories to follow all at once.The Warriors is one of these films.Intercutting between four groups of gang members (along with various supportive characters), Hill keeps the pace quick and the stories tight.
The only time the film slows down is when Swan decides to get it on with Mercy, a young Latina woman he met along the way, in a subway tunnel. I don't know where to start with this one.
Similar to low-budget classics such as Night of the Living Dead (1968) and Assault on Precinct 13 (1976), The Warriors' story revolves around one eventual day. The goals are clear: to survive the night. There's something I love about these types of movies. I call them "anti-epics." I love movies with limited time-frame structures. It's like when I first saw John Badham's Nick of Time (1995). That movie was the first time I had ever seen the use of real-time in a narrative film before. This was long before "24" made it popular. A minute in real life equals a minute in the story. There's something ultimately cool about that. The Warriors covers around eight hours in 90 minutes, but that's still pretty exciting.
Wrapping this up, I've got to talk about some of the major gangs. These gangs are as equally cool as our protagonists and some might even argue that they make the film. This is where the film's episodic plot comes into play. Want to know the plot in one sentence? The Warriors fight a gang, then they run, then they fight another gang... and then they run some more. Here are some of the coolest gangs they fight...before running again.
The Baseball Furies
These guys are incredible. They're dressed in NY Yankee(-esqe) uniforms, they don't speak, and they hit people with bats...a lot. Oh yeah, don't forget the KISS make-up. The film's second best fight scene has these guys rumbling against our good guys in the middle of a park.
The Lizzies
Possibly named after Lizzie Bordon or more likely named because it sounds like "The Lezzies," this all-girl gang uses their ...um... sexuality to lure in the Warriors. Their plan might have been better if one of these girls had learned how to either fight or shoot a gun. Entertaining nonetheless.
The Orphans
They write about their raids in the paper. They have the proof on-hand at all time. With a leader who looks like David Schwimmer on crack and a surprisingly cool looking Number Two (the guy to the left with an afro), the Orphans aren't even on the other gangs' radar but they rumble anyway. When the Number Two holds up the cut out newspaper article, I fall on the floor laughing everytime.
There's so much more I could write about my favorite movie. I could mention the rumors of a Tony Scott remake or go on and on about the video game, not to mention the action figures.
But I'll stop here. I just hope you guys go see this one and if you'd leave me comments I'd love you forever. Before I go, I just wanted to thank my good friend Laura for making my new logo! It's crazy good. Thanks so much, Laura! One last thing, last week, I received a few comments which were great! Thanks so much, Matt and Don. Don also mentioned that he thought the MP3s were cool so I decided to keep it going. Here's another present for my readers. The theme song is AMAZING! You must listen to this. If nothing I've written make you want to see this movie, the theme song will. I promise.
I also wanted to thank The Warriors Web Site for being the most amazing Warriors website in existence. Most of the pictures on this post are from there and they're just the best. Go check them out.
Oh yeah, I also realized that I promised to talk about the Coke bottles some more. But you're just gonna have to go rent the movie if you want to see what that's all about.
In short, comments are great, but at least vote in the poll question. Thanks to all you Boppers out there.