Never Heard Of It: The Mechanic (1972)

There is only one reason to watch The Mechanic

and that reason is Charles Bronson's wardrobe.

The real star of this movie is Bronson's red robe
which he wears in six different scenes.

Never Heard of It Rating:

Death Wish

[MCMLXXIV...what a great year for movies.]

1974 saw the release of some of the most respectable pieces of cinematic art this side of Steamboat Bill Jr. Francis Ford Coppola directed The Godfather II, Paramount released Roman Polanski's neo-noir Chinatown. Two of the most awe-inspiring disaster movies, The Towering Inferno and Earthquake entered the entered the Top 10 Highest-Grossing films of the year. Along with all these pre-blockbusters, several future cult classics found their way into various movie houses and drive-ins. The Texas Chainsaw Massacre and John Carpenter's directorial debut Dark Star both did just that in 1976. Somewhere in the middle of all these great flicks was Michael Winner's Death Wish, the story of a vigilante husband and father on a mission of revenge.

[Here we find Charles Bronson, perplexed by the new Ghostface Killah album.]

Charles Bronson plays Paul Kersey, a role originally intended for Steve McQueen. To start things off, I've got to let you know, this movie is crazy. Okay, it's not Ichi, the Killer crazy or Audition crazy, but back in the 1970s, the American people weren't ready for this one. Critics panned Death Wish because they believed it promoted vigilantism. The film's plot circles around an upper-class New York family who suffers an unspeakable tragedy at the hands of this man and his friends:

[Long before he was pushing iMacs, Goldblum was best known for his Old-Lady Sleeper Holds.]

A rough group of hoods, the head gangster (Jeff Goldblum), some big ol' skinhead, and a graffiti artist named "Spraycan"viciously attack Kersey's wife and daughter. This scene is really rough. Basically, the bad guys stalk the two women back to their house in order to rob them. When all they have is seven dollars between them, they decide to beat the mother and rape the daughter. The scene is pretty graphic and hard to stomach. Goldblum, in his acting debut, screams "Goddamn rich cunts! Cunts! I kill rich cunts!" as he repeatedly punches the woman in the face.

Some bad-acting comedy accidentally makes it's way on-screen as Spraycan coats the curtains with orange paint, over and over again. When he tries to tag their walls, all he can come up with is a sloppy swastika and an orange scribble line that looks like a a child's rendition of a Richard Scarry worm. In the end, Kersey's wife is murdered by the thugs. His daughter goes into a comatose condition, unable to speak or move on her own.

[Who wouldn't have faith in this police force? You've got The Ghost of Christmas Dinner and a comedy God fighting crime for you, what else can you ask for?]

Now, if someone killed my wife and raped my daughter, the first people I would call might not be the police. Granted, my opinion changed a little after watching Death Wish. The cops aren't any help. They can't follow any leads. They can't nail down any evidence. They hide the facts from the victims and the public. Even when they realize that Kersey has taken the law into his own hands, they just seem to look the other way.

This movie makes me want to shoot people. No, seriously. If there's one thing that Charles Bronson does well, he makes shooting people look easy. Every time someone's got a problem with him, he whips out his pistol, and BAM..., in the words of Ice Cube, "...another sucker dead."

[What happens when three muggers attack Charles Bronson in an alleyway?]

The last hour of the film is a series of muggings that Kersey purposely gets himself into. He walks around bad neighborhoods, practically with hundred dollar bills sticking out of his pockets, just asking for some young punk to mess with him. What does he do when someone finally takes the bait, well, I think the pictures explain it all.

I agree with the critics that claimed that the film promoted taking the law into your hands. It clearly does. Over and over again. Death Wish has its exciting moments but by the end of the film, they've gotten pretty repetitive. I specifically checked this movie out to do a He Shot Cyrus write-up. I can't say I was disappointed with the movie, I think it was a pretty rad working of the vigilante storyline. Ever since I was little, I had constantly seen previews for this on Telemundo or Galavision. Apparently, this movie is huge among Spanish-speaking audiences. I remember when I used to work at Hollywood Video, this got rented all the time. The only one that was rented more than Death Wish was Blood In, Blood Out, which I recently watched out of curiosity. It didn't deserve it's own post.

[Charles Bronson shoots them.]

Here's the trailer for the movie, along with the trailers for it's four sequels! That's right, there are a total of five Death Wish movies. I would sometimes see previews for the second and third movies, but until I looked it up tonight, I had no idea that four subsequent movies could be made from this plot. From the look of the trailers, they only get better and better as the years went on.

Death Wish

Death Wish 2


Death Wish 3


Death Wish 4: The Crackdown


Death Wish 5: The Face of Death

Here's a recap on the basic plot advances of the last 60 minutes of Death Wish.

[What happens when knife-wielding hoodlums try to rob Charles Bronson in a subway station?]

[Charles Bronson shoots them too.]

[What happens when Freddie "Boom-Boom" Washington/Richard "Cochise" Morris tries to attack Charles Bronson in the park?]

[Charles Bronson shoots Freddie "Boom-Boom" Washington/Richard "Cochise" Morris.]

This may not have been the best movie to come out in 1976, but it definitely into the category of "entertaining." There are more than two handfuls of really cool scene, and not just ones where Charles Bronson shoots muggers. One of the most impressive parts of the movie is how Bronson's character changes through out the story. He begins as a family man, the everyman, in a sense.

As the film progresses, his mind changes. I'm not talking about his opinions or anything, I'm talking about the entire way his mind works. His inherent motives and goals are radically altered and Bronson captures each stage of the transformation with clarity. The most interesting part of the plot is how, even at the end, Kersey never becomes a monster. Even during his times of chaos, he remains what he started as: a man.

Even with the film's unevenness, there's enough redeemable elements that make it work watching. Among these elements is, first and foremost, the film's score. Herbie Hancock, the genius that created the song "Rockit," the first mainstream song to feature the turntable scratch. I've included an MP3 of the Death Wish theme for you guys. Hope you enjoy it.

[And what happens if you try to shoot Charles Bronson while tries to peek up a woman's skirt? That's right, Charles Bronson shoots YOU!]

Herbie Hancock - Death Wish Theme (MP3)
Download (Rapidshare)

Download (zShare)

Until next week, or maybe a little longer thanks to the craziest finals I've ever had, let me know what you think of Death Wish and my blog so far. If you have any ideas on how to improve it, then drop me a line. I'll have a new poll question for you soon. Here's the results of last week's question: C. Thomas Howell received the most votes as to which Outsider is the easiest to beat up.

Rob Lowe came in right after him and there wasn't any Outsider who seemed to be untouchable, even Macchio who received two votes. I want to know who said they could beat up The Karate Kid. He'll put you in a body bag quicker than you can say "Glory of Love."

Most importantly, thanks to RC, Matt, Usesoapfilm, Natsukashi, Brian, Jonny, Taylor, and Whitney for leaving comments on my Top 5 Movie Rumbles list. They were awesome. Thanks a lot.